Monday, February 14, 2011




The Expulsion of Hagar. Source







"Hagar's Last Night in Abraham's House"


By Itzik Manger 





The story of Abraham, Sarah, her servant Hagar, and Abraham and Hagar's
son, Ishmael, told as if Hagar were a Polish servant girl in Abraham's house in
Poland.







Hagar, the servant, sits in the
kitchen,


a smoking oil lamp spills


the shapes of shadowy cats and dogs


to flicker on the walls.

She weeps because her
master


fired her today.


"Beat it, you bitch," he told her;


"Can't you let me be?"

It was Sarah
who egged him on –


that proper deaconess.


Saying, "Either get rid of the girl


or give me a divorce."

Hagar takes out her
trunk


a summer hat of straw;


she takes her green silk apron


and her blood-red beads of coral.

These were the
gifts he gave her


once upon a day


when they strolled the meadow


by the railroad right-of-way.

"How like the
smoke of a chimney,


how like the smoke of a train


is the love of a man, dear mother,


the love of any man."

God knows where we
shall run to,


myself and his bastard child,


unless in some alien kitchen


we are allowed to hide.

She takes the kitchen
broom,


she sweeps the kitchen floor,


under her blouse something still says


she loves him – and sweeps some more.

Again, she
does the dishes,


and scours the copper pan.


"How like the smoke from a chimney


Is the love of any man." 





From David Roskies' A Bridge of Longing: The Lost Art of Yiddish Storytelling. Harvard University Press





***   ***  
***









When Nothing Remains

By
Stanislaw Grochowiak

From An Introduction to Polish Literature


Jerzy Stzetelski, ed. UJ Press

One day I shall
seat you naked in splendor.


There will be dresses heavy as water.


There will be stockings with the scent of apples.


There will be head coverings, broad,


and there will be metal.

I want to see you naked
in a dark landscape


dense with bronzes, chandeliers, bowls


from which let a vanilla punch steam


into the sniffing nostrils of great Danes.

Rembrandt
felt this urge when he painted Saskia


departing further and further into her death


as if he wanted to hold her with the weight of grapes


to clamp her down with the light of precious chandeliers.

***   ***   ***

A great
love poem
by John Guzlowski. 





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